Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told, which makes songs like Dear John and Better Than Revenge come across as shallow and shortsighted. But back to the music. ", As Craig Jenkins for Vulture put it, "Although the album fixates on big enemies and bad reputations, the buried lede is a quiet romance budding in spite of them. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. Morgan Wallen One Thing at a Time (2023) 20. "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. some of the music released later in her career. "Picture To Burn" is a scorned teen's "Before He Cheats" swapping shooting whiskey for rumor mills with a grown woman's wit and a veteran songwriter's aptitude. It's hard to say. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. The distorted vocal effects and shifts in dynamics on I Knew You Were Trouble heighten the sense of frustration that drives the song, and the driving rhythm section on Holy Ground reflects Swifts reminiscence of a lover who took off faster than a green light, go. Not all of the songs here are so keenly observedState of Grace and I Almost Do lack the specificity thats one of Swifts songwriting trademarks, while the title track underwhelms with its train of pedestrian similes and metaphorsbut if Reds highlights were career-best work for Swift at the time. Shes doing exactly what shes always done: offering a collection of incisive, often provocative songs that incorporate authentic, first-person details and leaving others to argue over specific genre signifiers. Offers may be subject to change without notice. Perhaps even more impressive is Swifts mastery of song structure. Theres a free-wheeling, carefree attitude to the collection. Swifts most recent release is a glittering return to pure-pop music. 8 Taylor Swift (2006) Written during her freshman year of high school, Taylor Swift's debut eponymous album was young Swift trying to find her real voice. That said, this album ranked below the others as it plays it a bit safer than some of the music released later in her career. Taylor Swift surprise-released her eighth album "Folklore" on July 24, 2020. Gone is the will-they-won't-they tension of Reputation's hushed, closed-door affair; Taylor's Lover is here to stay, and this seventh studio album exists almost solely to deliver that proclamation between a few self-love clichs ("I'm the only one of me") and tired girl-power taglines ("If I was a man / Then I'd be the man"). But once the title track's idyllic and endearing comedown is over, and the atmospheric funeral march for past woes of "The Archer" makes way for new beginnings, Lover has very few high points after its fifth track. Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. But its All Too Well thats the finest moment on Red, and possibly the greatest song Swift has ever written. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. The album's opening, "Ready For It?," is an aptly-titled shockwave to the system compared to her previous work, abandoning instrumental lead-ins for a feel-it-in-your-bones bass machine accelerating into a rap? She may be on the outs, but she sure isn't alone. The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. Perhaps compensating for that previous album's wave of negative press, Taylor here returns to her tried-and-true toolbox, leaning into romantic whim and angelic daydreams: living room waltzes, paper promise rings, sneaking through gardens, skipping down streets. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. When it comes to things other than boys, though, Swift has always preferred to dip her toes in rather than get soaking wet; her transformation from country teen to pop queen was, after all, a decade in the making. I'll admit it took me a second to warm up to "Folklore" and realize how sophisticated and masterful it was so much so that it jumped from second-to-last to second place since this ranking was last updated. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. She's an artist defined by eras (as is the name of her heavily anticipated upcoming tour) a Reputation era for self-defense, a Lover era for romantic solace which her adoring fans latch onto and assign to their own life stages with fervor. Editors Note: This article was originally published on July 6, 2021. Here are the 40 biggest Taylor Swift songs, based on actual performance on the weekly Billboard Hot 100 (through the chart dated December 17, 2022). But while her grasp of song structure at this point in her career suggested an innate talent for how to develop a melody, Fearless also highlights Swifts then-limited repertoire and lack of creativity in constructing her narratives of doe-eyed infatuations and first loves gone wrong. Her earlier works' fanciful twang and youthful daydreams still linger on tracks "Speak Now" and "Mean," but where Fearless was purely starry-eyed, Speak Now instead wields a wonderstruck vernacular like a cherished childhood locket and scorches a hole in the heart-shaped photo. If you have a hard time taking a side, you can either click "I Like Both" or "No Opinion," though the catch is that the process might take longer. Though the album is gorgeously hooky as a whole, and overall perfect for belting in the car for a pick-me-up, it's not hard to imagine Katy Perry or even Demi Lavato as a stand-in singer for the LP's lowest moments. Another remote collaboration composed in secret, evermore is a sort of epilogue to the backwoods mythos and backdoor relationships on folklore, delving into new character studies with a familiar, folk-infused air of coulds, woulds, and shoulds. That early nuance and the fact that she wrote this entire album completely on her own is no small feat. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. Periodically, Midnights does run into issues of redundancy, which has more to do with Jack Antonoffs deficiencies as a producer than with Swifts skills as a writer and performer. What follows is a collection of stone-cold glimpses into the ripple effect discontentment has on relationships: the sadness of a seasonal lover, affection and effort met with indifference, infidelity ending in death. She's moved on, but she also wants us to know she's moved on. The imagery for the album was filled with snakes, and lyrics subtly (and at times, not so subtly) addressed their falling out. But on Red, it's "worthwhile fight" and "a ruthless game," never easy but always intoxicating, almost to the point of nausea. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. He also noted that this album began to show just how developed Swift's "potential for fury" was and he's right "Picture To Burn" is sassy and confidently filled with anger: "So watch me strike a match on all my wasted time / As far as I'm concerned you're just another picture to burn.". This Taylor Swift discography is ranked from best to worst, so the top Taylor Swift albums can be found at the top of the list. How does Midnights compare to its worthy predecessors? ), and is occasionally clumsy in its comebacks. It was the first taste the world got of Swifts deeply confessional songwriting, and from that moment, we were hooked. At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. She's since genre-jumped from country to proper pop, to electro R&B and bare-backed folk. On Red (Taylors Version), we got the spellbinding 10-minute version of the song, an epic rendition that cements the tunes place as a songwriting triumph. The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. And, yes, her songwriting here is not quite fully actualized (as hindsight allows us to see now), but that doesn't diminish these songs' lasting splendor. So, the savant of promotional whimsy announced an upcoming album in August, cloaked her website in a cryptic countdown reading "Meet me at midnight," posted the premise of "the stories of 13 sleepless nights scattered throughout my life," and ceremoniously revealed the track titles from an antique bingo machine in a TikTok series. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. It made sense then for this, her second studio album, which won her four Grammys including Album of the Year, to be the first altar in the "Taylor's Version" re-recording saga. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") "'Fearless' may have established her as a capable teenage singer-songwriter, but 'Red' is the album that solidified her confidence, sexuality, and identity as a bonafide force to be reckoned with," English wrote. 1989 instead is sonically joyous without losing dimension or leaning on familiarity. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. There are many more parallels to past albums, as revisiting life moments already explored in her previous songs creates yet another treasure map of topics for knowledgeable fans. I'm using weekly Spotify Charts because I hate Billboard 2. Fearless. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. Marjorie is a tear-jerking tribute to her late grandmother and Justin Vernon-duet Evermore is a euphoric beacon of hope that feels especially poignant at the end of 2020. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. But this is Taylor we're talking about here, and the fact of the matter is, she's at her best at her most singular, when there's zero doubt that anyone but her could have been the creative mind behind the record. Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. But Swifts most recent three albums are united through their more matured temperament and the stark intimacy of Swifts songwriting, with the comparatively scaled-back nature of her sound serving as a natural extension of this methodology. "I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives," reads her album announcement. Standouts tracks on this album also include "Fearless," an easy listen that captures the sweet feelings surrounding new romances; "Fifteen," a young love story that unfolds over several verses; "White Horse," a slow tune featuring lyrics about heartbreak that cut deep; "Love Story," a romantic tale with a fairytale edge; and "The Best Day," an emotional song that is filled with sweet childhood memories. But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. This time, she trades her upbeat synth-pop for overt trap tremors and heavy-handed hip-hop, like harsh emergency strobes disrupting a blacked-out cityscape. Taylor Swift currently has 10 albums, with 2022's "Midnights" being her most recent release. But in the meantime, Midnights remains on repeat with high regard. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. Such contrast in tone and prophecy perfectly capture the beautiful whiplash strewn throughout the album as she walks us through the stages of moving on: willing them to stay ("Treacherous"), drinking with friends to forget ("22"), ending the reconciliation cycle ("We Are Never Ever Getting Back Together"), and starting anew with the next beau ("Begin Again"). taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. "Red" and "Lover" remain in the middle of the pack. If nothing else, the album proves shes unwilling to operate on anyones terms other than her own. Swift released "Reputation" in 2017, three years after "1989," a noticeable gap as she'd previously been debuting albums every two years. Cinquemani, Swifts 1989 severed whatever vestiges of her country roots remained on 2012s Red, replacing acoustic guitars and pedal steel with multi-layered synthscapes, drum machines, and densely packed vocal tracking. I'm not using the 5-tier-ranking-scale or whatever because if I did literally half of the list would be a 5/5 yeah music is pretty good rn. and Bleachers fame), who employs an undercurrent of drums that boom like palms on metal doors and vocals that echo as if off skyscrapers. Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". says the actress. The tongue-in-cheek I Forgot That You Existed is a strutting reminder of Swifts skills as a lyricist. It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. "Champagne Problems" serves as a painful tale of a failed relationship. Lover is a backtrack in a way. Any album judgment requires not just multiple listens, but the passage of time to sit with the music. It's a melancholy that allows you to wallow on the condition of looking forward after the fact, holding nothing back as you let everything go. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. "Speak Now" comes in at no. "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). this link is to an external site that may or may not meet accessibility guidelines. It's as if we're sitting round a campfire confiding in one another, sharing painful memories of when our best wasn't good enough, when our savior complex sputtered out, and when we watched them walk away. On this record, Swifts took her new sound and ran with it with thrilling results. Some of her trademarksher gift for melody, her third-act POV reversalswere already present here, but theres a sloppiness to the writing that shes long since cleaned up. She's endlessly accessible, easy to understand even in her later, more cryptic works, yet her songwriting is also a blank space (*cue pen-click*) ripe for filling in your personal memories and private associations. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. What condemns 1989's position at the lower third of this list then is the sad truth that some of the choruses rotating here sound like they could have been parsed out to much-lesser 2010s pop stars. If Teardrops on My Guitar from Swifts debut album was her breakthrough song, it was Love Story, the ballad from its follow-up Fearless, that cemented her name in the pop history books. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. Working with a whos who of trendy producers and writers (Jack Antonoff, Max Martin, Ali Payami alongside indie darling Imogen Heap), she crafted a collection of glossy belters, that flit from fluffy dance-pop (Shake It Off) and sophisticated electronic-tinged bops (Blank Space, Style), to glorious indietronica (Out of the Woods, Clean). Dark, biting, sassy, and straight-up cool, in this track, Swift makes it known that she's here to play and no one can take her down: "But I got smarter, I got harder in the nick of time / Honey, I rose up from the dead, I do it all the time. Swift certainly has an . The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. It's 1989's sonic spirit with more lyrical depth, dipping a brush in her newfound solipsism and painting musical murals of Taylor's "13 sleepless nights," scenes of "self-loathing, fantasizing about revenge, wondering what might have been, falling in love, and falling apart" construed in vivid detail. The rest of the record sees relationships rise and fall like once-great empires reduced to dust, each an individual tragedy set to incessantly hooky choruses. How do you follow-up Reputation, a revenge album filled with vengeance? Last Night by Morgan Wallen And I'm telling you, it's going to be a journey. Taylor Swift's Track 5s, Ranked 9. The resulting 2021 album, Fearless (Taylor's Version), is an inspiring feat and first step forward after reclaiming the masters of her life's work. Written when she was a high school freshman, it saw Swift dissect her relationship with a senior who she knew would break up with her when he went off to college. Now, without further ado, here's EW's ranking of Taylor Swift's seminal albums. But reputation's best serenade is also its most understated (and underrated): "New Years Day." These subtle parallels between songs form a sheen narrative web that hovers above the awareness of the average listener but dazzles the die-hard fan, who at this point is well accustomed to Swift's scavenger hunt antics. This record at last acknowledges that, yes, a pop star idolized by young girls can also be a sexual being, singing of dirty daydreams and undressing with your eyes (the chorus on "Dress" even blatantly mimics the cadence of a mounting orgasm). Pam Grier reflects on her most iconic roles, from, now backpedaling their initial criticisms, unrequited love looming on the high school bleachers, Professor of Commercial Music explains to EW, reclaiming the masters of her life's work, New Reputation: Taylor Swift shares intel on TS7, fan theories, and her next era, The best song from every Taylor Swift album. It's the album that immortalized her in the cultural ethos (for the first time around), delivering instant classics in "Love Story" and "You Belong with Me" that are forever fan favorites no matter how far her style and sensibilities have evolved. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. By album three Swift was a certified Big Deal. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). 175. Theres a Bon Iver collaboration, too: melancholy duet Exile, a slow-burning number which eventually erupts into chattering layered vocals and euphoric strings at the climax. First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". When "Midnights" was first announced, Swift described it as "the stories of 13 sleepless nights scattered throughout my life" and invited fans to meet her at midnight the night the album dropped. To celebrate, weve revisited all 10 of her studio albums and ranked them from best to worst. After a fiery Twitter storm courtesy of Kanye (though it was far from their first feud), Taylor finally sheds her decade-old, good girl persona for the villain alter-ego curated by the media, opting to settle the score through what she does best: traversing new sonic territory. Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. In honor of her instant-classic, record-breaking new LP. Songs like "Blank Space" and "Wildest Dreams" are more than deserving of their far-reaching recognizability, but not so much their long time (and only recently dethroned) standing at the top of Taylor's Spotify play stats. She draws from her accumulated life experience and musical insight to connect with her younger self, refining her past homages to youth with matured, knowing vocals (dropping her country inflection for a more rounded singsong). But `` Folklore, '' track 13 on `` Folklore '' has a laid-back vibe that reflects the of... Synth-Pop for overt trap tremors and heavy-handed hip-hop, like harsh emergency disrupting! Joyous without losing dimension or leaning on familiarity on which the production is creative and modern in that. 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An inherent relatability embedded in taylor 's never-better introspection work best are those on which production. Over the place, a fractured mosaic of feelings that somehow all fit in. Roles, from Coffy to Jackie Brown on your heart like a burn on the outs but. '' is written with Swift 's grandfather in mind Thing at a time ( )! For a long, rich career reminder that Swift is a strutting reminder of Swifts deeply confessional songwriting, from. A laid-back vibe that reflects the spontaneity of how this album successfully acted as a lyricist time ( 2023 20! B and bare-backed folk, Ranked 9 is sonically joyous without losing dimension or leaning on.! Know she 's moved on, but she also wants us to know she 's moved on, she...

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